James Merrill : life and art / Langdon Hammer.Material type: TextPublication details: New York : Alfred A. Knopf, 2015.Edition: 1st edDescription: xxiv, 913 p.,  p. of plates : ill. ; 25 cmISBN:
- 9780375413339 (hbk.)
- 0375413332 (hbk.)
- 811/.54 B 23
- PS3525.E6645 Z674 2015
|Item type||Current library||Call number||Copy number||Status||Date due||Barcode|
|Book||Stonewall Biography||B Merrill HAM 2015||1||Available||209231|
"A Borzoi book."
Includes bibliographical references and index.
"The first biography of one of the most important poets in the second half of the twentieth century, whose life story is unparalleled in its narrative interest. The story of James Merrill (1926-1995) is that of a young man escaping, but inevitably reproducing, the energies and obsessions of glamorous, powerful parents (his father founded Merrill Lynch); of a gay man inventing his identity against a shifting social and sexual backdrop; and of a brilliantly gifted poet testing the redemptive potential of his art. We see how Merrill, freed from having to work for a living, made his life itself a kind of work. After Amherst and a period of adventure in Italy, he returned to the New York art world of the 1950s (he met W. H. Auden, Tennessee Williams, Truman Capote, Larry Rivers) and began publishing his poems, novels, and plays. In 1953, he fell in love with budding writer David Jackson, who remained his companion for forty years while they explored 'boys and bars' in Greece and elsewhere. At the same time, they were talking to the spirits of the otherworld using a Ouija board, which became an improbable source of poetic inspiration for Merrill. In his many collections of poetry and the candid letters and diaries that enrich every page of this deliciously readable life, Merrill created a prismatic art of multiple perspectives. Holding that life and art together in a complex, evolving whole, Langdon Hammer illuminates Merrill’s 'chronicles of love & loss' and the remarkable personal journey they record."--Provided by publisher.
There are no comments on this title.